Hadrian Exhibition/Some More Gallery Updates
Mon, Aug 4 2008 05:42
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I went up to the British Museum last Friday to take a look at the Hadrian exhibition. It's a pretty good, very well-lit exhibition. Unfortunately there was an enforced ban on photographs so I've nothing to show for it, but I put some other photos up in the Galleries, along with a rant about the state of affairs there. London has far too many public works that open amid great fanfare and then close down indefinitely, diverting money from the main museums (the Millennium Dome is an obvious example, but how much was spent on the Museum of the Moving Image?). I'm writing to try and get access to some of the other galleries - we'll see.
Back to the exhibition - the star item is the head (along with a leg and foot) of a statue found last year at Saglassos, in Turkey, and never before seen in public. The original statue would apparently have been four to five metres high. There are many other busts of Hadrian (who was fond of commissioning statues) from various stages of his career, from youth onwards. One of the statues has him stepping on the back of a conquered barbarian; the statue's from Rome but was obviously a common design since pretty much the same statue was in the museum at Istanbul (and can be seen in the photos).
There are interesting collections of busts of Hadrian, Trajan and their respective families near the entrance to the exhibition, and on the way out of Hadrian's potential and actual successors (Antoninus Pius, Aelius Caesar, Servianus and some remarkable busts of Marcus Aurelius and Lucius Verus as children.
The press has I think focused in the run up to the exhibition on, firstly, Hadrian's relationship with Antinous, of whom there is a fine collection of statues, and Hadrian's record in the second Jewish War; there's a collection of possessions belonging to Jewish refugees. There's also a collection of finds from Hadrian's wall.
The bookstore had some nice offers. Acquired Atlas of the Roman Empire at 50% off.
Finally, there's an advertisement on the way out for the next "big" exhibition, "Babylon", which I think comes along in October. I saw this earlier in the year in Paris, and I have to say it's not a patch on the Hadrian exhibition - too much "interpretations of Babylon over the ages" as opposed to actual stuff. The Louvre exhibition was however far more overcrowded, so the exhibition layout may also play a part.
Back to the exhibition - the star item is the head (along with a leg and foot) of a statue found last year at Saglassos, in Turkey, and never before seen in public. The original statue would apparently have been four to five metres high. There are many other busts of Hadrian (who was fond of commissioning statues) from various stages of his career, from youth onwards. One of the statues has him stepping on the back of a conquered barbarian; the statue's from Rome but was obviously a common design since pretty much the same statue was in the museum at Istanbul (and can be seen in the photos).
There are interesting collections of busts of Hadrian, Trajan and their respective families near the entrance to the exhibition, and on the way out of Hadrian's potential and actual successors (Antoninus Pius, Aelius Caesar, Servianus and some remarkable busts of Marcus Aurelius and Lucius Verus as children.
The press has I think focused in the run up to the exhibition on, firstly, Hadrian's relationship with Antinous, of whom there is a fine collection of statues, and Hadrian's record in the second Jewish War; there's a collection of possessions belonging to Jewish refugees. There's also a collection of finds from Hadrian's wall.
The bookstore had some nice offers. Acquired Atlas of the Roman Empire at 50% off.
Finally, there's an advertisement on the way out for the next "big" exhibition, "Babylon", which I think comes along in October. I saw this earlier in the year in Paris, and I have to say it's not a patch on the Hadrian exhibition - too much "interpretations of Babylon over the ages" as opposed to actual stuff. The Louvre exhibition was however far more overcrowded, so the exhibition layout may also play a part.